
Kooimans is not only preserving the ideals of Old World refinement and artistry, but in a real and tangible way, she is truly preserving vanishing textile techniques.
I met Kooimans in her airy Abbot Kinney store, the efforts of husband and business partner Steve Wood.
She was sporting one of her own black and white skirts, a solid black long-sleeved V-neck, patterned black stockings, shoes that are sold at Koko’s, and a thick pearl necklace. She tells me that she prefers simple clothes she can easily work in. A slim woman, Kooimans wears signature dramatic red lipstick and has bobbed hair that she twists up.
Though she is striking in appearance, her manner is gentle as she tells me the genesis of her work.
After graduating from her studies at the Art Academy of Rotterdam in fashion and monumental design in Holland, Kooimans worked primarily for performers, creating high-tech costumes in plastics.
Cambodian Silks
A textile competition in Japan brought her to Asia. “I was very attracted to that part of the world,” she said.
Cambodia was different. “I fell in love with the silks there,” says Kooimans of the Cambodians’ unique method of weaving. She traveled between the United States and Cambodia, working with a small clothing company developing and designing textiles.
Having found a “krama,” a scarf, in one particular style, Kooimans carried it around to various Cambodian villages, like in an Asian folktale, in search of anyone who could reproduce it.
She leads me to the hanging apparel, educating me on silk as she shows me an example of the unique fabric, “a cross between organza and soft silk,” she explains, “soft and crisp.”





















