Theater Review

‘The Three Musketeers’: Classic, Riveting, and Riotous

BY Betty Mohr TIMEApril 15, 2026 PRINT

The word “classic” is often used to describe timeless works of art and literature. That term has never been as appropriate as it is in reference to “The Three Musketeers.” The novel, written in 1844 by French author Alexandre Dumas (1802–1870), continues to excite audiences right into the 21st century.

It was made into films five times—in 1992, 1989, 1986, 1973, and 1948—adapted into TV shows, and made into cartoons. Today, “The Three Musketeers” is now in a wonderful production at The Edge Off-Broadway Theater in Chicago. The play has been produced by the Idle Muse Theatre Company, which is celebrating its 20th year of operation.

What’s so extraordinary about this production, which was adapted from the original novel by Robert Kauzlaric for the 2010 Illinois Shakespeare Festival, is that it doesn’t have a large stage area. While films have the luxury of multiple and expansive locations, the Idle presentation does the seemingly impossible: It presents swashbuckling sword fights and athletic feats on the very small intimate Edge stage.

Moreover, this contemporary adaptation, faithful to Dumas’s story, is driven by a blend of action, romance, and historical adventure that offers the same thrilling escapism as found in the novel.

The three musketeers
Cast members of “The Three Musketeers.” (Steven Townshend)

An Adrenaline-Heavy Adventure

The adventurous story is set in 17th-century France just before the French Revolution of 1848. It follows young D’Artagnan in Paris as he seeks to join the King’s guard. He befriends three elite musketeers—Athos, Porthos, and Aramis—in their fight against the corrupt Cardinal Richelieu, who tries to undermine Queen Anne. Together, they protect the queen, fight villains like Milady de Winter, who attempts to kill them, and uphold the motto “All for one, and one for all.”

Director Evan Jackson does a fantastic job of putting all the pieces together to make for a fast-paced, exuberant production. The action-packed narrative flows seamlessly with iconic heroes that overcome challenges in triumph due to deep bonds of friendship. Moreover, it features villains, romance, and some very funny moments. The production doesn’t take itself too seriously. In humorous scenes, drinks are poisoned, jewels are stolen, and romantic partners find each other in the middle of the night.

The creative team works wonders on the small storefront space. Jeremiah Barr’s set design of a stone entryway and cobblestone flooring are transformed by lighting and projections by Laura J. Wily to conjure up a church, a tavern, the king’s court, and a prison cell. In addition, L.J. Luthringer’s sound design creates an atmosphere of suspense that permeates the show.

Three musketeers
The villainous Richelieu (Eric Duhon) makes plans to seize power, in “The Three Musketeers.” (Steven Townshend)

The fight choreography by Libby Beyreis and Brendan Hutt is so realistic that those in the front seats, closest to the stage, were seen pulling back into their chairs as the clash of swords played almost too close for comfort. Added to this are the swirling capes and leather boots, courtesy of  Vicki Jablonski. It pulls us right into 17th-century France.

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A moment of peril awaits, in “The Three Musketeers.” (Steven Townshend)

Of course, a great deal of credit for the exciting feel of the show is due to the terrific performances by a large and talented ensemble. Xavier Lagunas delivers a thoughtful Aramis, Boomer Lusink comes through as the flirtatious, vain Porthos, and Jack Sharkey is a convincing Athos. The highlight portrayal, though is that of Troy Schaeflein as the youthful, innocent, and charming D’Artagnan.

Furthermore, there is a terrific portrait of the Comte de Rochefort by Joel Thompson, who plays the part of a moustache-twirling villain with obvious relish. Eric Duhon turns in a nice portrait of the sly, scheming, and sneering Cardinal Richelieu. A strong performance comes from Caty Gordon as Queen Anne, as well as from Jennifer Mohr, who is chilling as the manipulative Milady.

While the escapist adventure of “The Three Musketeers” is a big reason behind its popularity, the Idle Muse production offers some comedic romps, such the Musketeers’ riotous ride to Buckingham and the laughable moments when the actors attempt French accents.

The three musketeers
Constance (Jamie Redwood) trysts with D’Artagnan (Troy Schaeflein), in “The Three Musketeers.” (Steven Townshend)

This theatrical production of “The Three Musketeers” is a wild and thrilling ride of palace intrigue and some French history, but it’s also about friendship, honor, and loyalty. The novel is a page turner, and the play is no less engaging. Indeed, it’s the kind of attention-getting presentation that rivets one from beginning to end.

‘The Three Musketeers’
Idle Muse Theatre Company
The Edge Off-Broadway Theater
1133 W. Catalpa Ave, Chicago
Tickets: 773-340-9438 or IdleMuse.org
Runs: 2 hours, 25 minutes (one intermission)
Closes: April 25, 2026

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As an arts writer and movie/theater/opera critic, Betty Mohr has been published in the Chicago Sun-Times, The Chicago Tribune, The Australian, The Dramatist, the SouthtownStar, the Post Tribune, The Herald News, The Globe and Mail in Toronto, and other publications.
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