Film Review

‘Sentimental Value’: Reflecting on Art, Redemption, and Healing

BY Mark Jackson TIMENovember 2, 2025 PRINT

R | 2h 13m | Drama | 2025

Norwegian filmmaker Joachim Trier’s “Sentimental Value” is both beautiful and hard-hitting. Trier, Stellan Skarsgard, lead actress Renate Reinsve, and newcomer Inga Ibsdotter Lilleaas have made a heartrending portrait of the haunting complexity of family bonds, and the pain and catharsis of artistic creation.

Story

‘Sentimental Value” focuses on sisters Nora (Reinsve) and Agnes (Lilleaas) and their tense reunion with their father, Gustav Borg (Skarsgard), a charismatic but absentee dad attempting his filmmaking comeback.

man and woman talk in back yard in Sentimental Value
Gustav Borg (Stellan Skarsgard) and his eldest daughter Nora (Renate Reinsve) talk, in “Sentimental Value.” (Nordisk Film/Mubi)

Daughter Nora and dad Gustav aren’t exactly on good terms. Between Gustav’s physical absence from the lives of her and her sister, and Nora’s pursuit of theater acting over film (Gustav hates theater), Nora’s resentment of her father has grown to a steady boil over the years.

Hoping to repair his relationship with his daughters, Gustav writes an autobiographical script based on the life of his mother, with the hopes that Nora will play the lead role.

older man and young woman on a beach in Sentimental Value
Film director Gustav Borg (Stellan Skarsgard) and his new lead actress, Rachel Kemp (Elle Fanning), celebrate, in “Sentimental Value.” (Nordisk Film/Mubi)

When Nora declines, perhaps partially as retribution (and definitely as a ploy to secure funding), Gustav offers it to eager young American star Rachel Kemp (Elle Fanning) instead. This naturally complicates the Borg family’s fractured structure even more. What daughter wouldn’t want her long-uncaring father to come crawling on his knees, hat in hand, multiple times, to insist on a reconciliation? “Sentimental Value” thus becomes an emotional journey of reconciliation and the healing power of art.

4 Stars

This drama provides a powerful cinematic experience that will keep audiences captivated by its clarity and honesty. The narrative arcs are extremely well-constructed, easy to absorb, and allow the viewers to quickly familiarize themselves with the pain and humor of the Borg family. (The film is mostly in Norwegian with English subtitles.)

Where “Sentimental Value” shines most is in the four main performances, all of which are outstanding. Each actor has at least one hit-it-out-of-the-park, defining moment that sticks in the memory.

Skarsgard delivers a complex performance, his character motivated by an attempt at redemption. He ultimately transforms from a self-absorbed, distant father to an involved dad with a meaningful, loving relationship with his two girls. Gustav uses cinema—heartbreakingly, the only language he knows—to process his past, seek forgiveness, and heal the present. His comeback film is clearly a creative penance.

Reinsve’s Nora is a true dynamo of hemmed-in emotion. Carrying vast reserves of sadness, panic, and anger, she is the anguish of paternal abandonment personified. Her incandescent stage presence juxtaposed with her inability to communicate real-life pain is textbook, as well as a revelation.

On the other hand, Agnes, despite starring brilliantly as a child actor in her father’s early films, turned down stardom and chose domestic stability. She took on the role of the caregiver and diplomat—also a textbook manifestation of this type of familial dysfunction.

woman in sweater and brown hair in Sentimental Value
Rachel Kemp (Elle Fanning) realizing she must be true to her instincts, in “Sentimental Value.” (Nordisk Film/Mubi)

The introduction of Rachel is a narrative stroke of genius. Fanning portrays Rachel as an altruistic and sensitive artist who, via her authenticity and integrity concerning her art and craft, unintentionally helps Gustav and Nora confront each other. It’s also possible that it’s intentional—relinquishing her ego for the sake of the director’s vision and the family’s future healing.

‘Sentimental Value’

The film establishes a continuous and painful dialogue between art and life. Gustav’s explicit autobiographical comeback project forces him to revisit his failures as a father and husband. This process raises a crucial question: Is the process of creating art a genuine form of seeking forgiveness? Or is it more of an elegant way to externalize guilt?

The film’s only weakness, to these American ears, is a typically European (in this case Scandinavian) soundtrack, featuring that particular kind of pseudo-jazz-European-pop-1960s-American-dentist-office-music that typically drenches the walls of New York’s Angelika Film Center. Had it featured an American-friendly, folksy acoustic guitar type of soundtrack, it would get 4 1/2 stars. However, art being subjective, the art house and avant-garde film crowds and the French film aficionados will most likely think the soundtrack has, well, sentimental value.

2 sisters talking in bedroom in sentimental value
Nora (Renate Reinsve, L) and sister Agnes (Inga Ibsdotter Lilleaas) have a heart-to-heart talk, in “Sentimental Value.” (Nordisk Film/Mubi)

The most powerful scene is Agnes’s comforting of big sister, Nora. She explains how she became the strong, settled one because she had Nora as a protector. This scene is some of the best acting you’ll see in film today.

“Sentimental Value” is a meditation on inherited pain, the intricate cost of artistic creation, and the difficult, yet essential, path to forgiveness and reconciliation.

Promotional poster for "Sentimental Value." (Nordisk Film/Mubi)
Promotional poster for “Sentimental Value.” (Nordisk Film/Mubi)

‘Sentimental Value’
Director: Joachim Trier
Starring: Stellan Skarsgard, Renate Reinsve, Inga Ibsdotter Lilleaas
MPAA Rating: R
Running Time: 2 hours, 13 minutes
Release Date: Nov. 7, 2025
Rating: 4 stars out of 5

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Mark Jackson
Film Critic
Mark Jackson is the senior film critic for The Epoch Times and a Rotten Tomatoes-approved critic. Mark earned a bachelor's degree in philosophy from Williams College, followed by classical theater conservatory training, and has 20 years' experience as a New York professional actor. He narrated The Epoch Times audiobook "How the Specter of Communism Is Ruling Our World," available on iTunes, Audible, and YouTube. Mark is featured in the book "How to Be a Film Critic in Five Easy Lessons" by Christopher K. Brooks. In addition to films, he enjoys Harley-Davidsons, rock-climbing, qigong, martial arts, and human rights activism.
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