R | 1h 58m | Dystopia, Survival, Thriller | 2026
Mildly depressing, the dystopian survival thriller “The Dog Stars” is basically a fast-zombie movie, a la “28 Days” and “28 Days Later.” It features a COVID-19-like virus instead of whatever makes zombies that sprint after people and snack on them. No actual humans are eaten in this movie—it’s simply another existential thriller about the dogged persistence of hope in a destroyed world.
Dog Owner Culture
Now, I love dogs. Dog owners, less so. Movies that go heavy on dog-owner culture are almost a genre unto themselves. Nonstop ear-scratching, petting; excessive face-licking where the dog-owner’s mouth is open and all that dog-tongue doesn’t bother them. Lots of treats gobbled out of dog-owner hands, who are impervious to the drool. “G’boy, g’boy, g’boy!!” I can tolerate about 30 seconds of this. “The Dog Stars” features this kind of thing for a good quarter of the movie.
That said, I love director Ridley Scott too, but this latest offering—not so much.

What Goes on Besides Ear-Scratching
The film opens with dog owner Hig (Jacob Elordi) and “The Dog Stars” canine hero, or, er, dog star (a Belgian Malinois named Jasper) living in Eerie, Colorado, a town north of Denver. Jasper helps protect Hig from crazed, crossbow-toting, tattooed marauders (aforementioned zombie stand-ins) in post-pandemic Colorado circa A. D. 2035.
A devastating virus wiped out most of the human race, and we see Hig’s wife Melissa, in flashbacks. Like most of their friends, relations, colleagues, neighbors, complete strangers, and unborn child, she didn’t survive the plague.
Hig has joined forces and shares a fortified airfield with former neighbor Bangley (Josh Brolin). Bangley’s a no-nonsense, expert marksman ex-Marine, who thrives in the military-like existence of gasoline-scavenging (for Hig’s canary-yellow, single-engine knock-about Cessna). He spends much of his time sniping trespassers from a half-mile out, from his jerry-built surveillance tower.
Shoot First, Ask Questions Later?
Is Bangley’s shoot-first policy, or Hig’s more trusting, love-all-humanity sensibility more suited to long-term survival? Is this what Scott wishes to examine?

It would appear that most of the crossbow-raiders Bangley snipes before they crossed the tree-line are desperate and starving, but some of them may have intended no ill will, according to Hig. To Bangley, if he so much as glimpses a weapon—they’re dead meat. A hardly surprising warrior philosophy.
The other question hanging about has to do with abundance: The two men have ample food and ammo. Bullets have become a rare commodity so many years after civilization’s collapse (hence the plethora of crossbows), but former gunny Bangley has the tools and munitions hand-loading skills to replenish his arsenal of sniper rifles.
Busting Out
Anyway, it’s (spoiler alert) Jasper’s eventual demise that motivates Hig to leave the safety of his airbase. He flies his yellow bucket of bolts 300 miles west to Grand Junction. He’s been picking up faint radio signals for a while, and believes they originate there.

An emergency landing, debilitating crash, and near-death experience via bison stampede put him in contact with survivors Cima (Margaret Qualley) and her grizzled dad “Pops” (Guy Pearce). After a miraculous restoration of his nearly totaled plane (seeing as how there are no parts available, from anywhere, ever again, I mean, c’mon)—off they all fly to Grand Junction.

The less I talk about the rather rousing, thoroughly campy, and completely tonally off-the-wall interlude involving Allison Janney as a circa 1950s’ flight attendant, who’s now the cult leader of a band of characters like something out of “The Lost Skeleton of Cadavra,” (2001), who, when they’re not bowling or golfing in period outfits—are listening to the air traffic control tower radio—the better.

Trailing music reminiscent of Scott’s own “Thelma & Louise,” one wonders why Scott made this movie. Nearly 90 years old, perhaps he’s pondering how much time he has left, and whether he needs to concern himself with survivalism. Or maybe buy a dog.

‘The Dog Stars’
Director: Ridley Scott
Starring: Jacob Elordi, Josh Brolin, Margaret Qualley, Guy Pearce
MPAA Rating: R
Running Time: 1 hour, 58 minutes
Release Date: Aug. 28, 2026
Rating: 3 stars out of 5
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