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opera review
Opera Review: ‘Semiramide’
NEW YORK—Gioachino Rossini’s 1823 opera “Semiramide” was highly popular in its day, but in the past century, performances have been few and far between. One reason may be that it ...
March 3, 2018
BY
Barry Bassis
Opera Review: ‘Il Trovatore’
NEW YORK—Giuseppe Verdi (1813-1901) originally thought of calling his 1853 opera “The Gypsy,” but instead kept the title ...
February 3, 2018
BY
Barry Bassis
Opera Review: ‘Tosca’
NEW YORK—Based on Victorien Sardou’s play, a vehicle for Sarah Bernhardt, Giacomo Puccini’s “Tosca” is a melodrama of ...
January 20, 2018
BY
Barry Bassis
Opera Review: ‘The Merry Widow’
NEW YORK—Although operetta is usually thought of as a 19th-century form, Franz Lehár’s “The Merry Widow” (“Die Lustige ...
December 23, 2017
BY
Barry Bassis
Opera Review: ‘Thaïs’
NEW YORK—American soprano Ailyn Pérez has made the transition from promising young artist and award winner—including the 2012 ...
November 25, 2017
BY
Barry Bassis
Opera Review: ‘Madama Butterfly’
NEW YORK—The death at age 54 of Anthony Minghella, the director of "The English Patient," "The Talented Mr. ...
November 12, 2017
BY
Barry Bassis
Opera Review: ‘I Puritani’
With the right cast, Bellini’s florid music of “I Puritani” makes for a compelling experience, and in the ...
February 25, 2017
BY
Barry Bassis
Opera Review: ‘Carmen’
Sir Richard Eyre’s production of Bizet’s “Carmen” manages to be colorful while eschewing kitsch.
January 28, 2017
BY
Barry Bassis
Opera Review: Rossini’s ‘l Barbiere di Siviglia’
Gioachino Rossini's 1816 comic opera "The Barber of Seville" has returned to the Metropolitan Opera in Bartlett Sher's ...
January 21, 2017
BY
Barry Bassis
Opera Review: ‘Nabucco’
The rewards of this production of “Nabucco” are ample, as the audience applause and cheering confirmed.
December 31, 2016
BY
Barry Bassis
Opera Review: ‘The Magic Flute’ at the Met
This year, the Met brought back Julie Taymor's 2004 production of "The Magic Flute"--a stripped-down, 100-minute version of ...
December 23, 2016
BY
Barry Bassis
Love and Death at the Met
NEW YORK—The Metropolitan Opera opened its fall season with a new production of Richard Wagner's "Tristan und Isolde." ...
October 1, 2016
BY
Barry Bassis
Opera Review: ‘The Pearl Fishers’
Georges Bizet's "The Pearl Fishers" is back at the Metropolitan Opera, where the work was last performed was ...
January 10, 2016
BY
Barry Bassis
‘Rigoletto’ Will Send You to the Moon, Baby
The Metropolitan Opera’s production of “Rigoletto” updates the action to 1960 Las Vegas, and the Duke is a ...
November 1, 2015
BY
Barry Bassis
Radvanovsky Rocks as the Ill-Fated Anna Bolena
The Met is giving Sondra Radvanovsky the opportunity to sing all three Tudor queen roles, and she has ...
October 4, 2015
BY
Barry Bassis
DVD Oratorio Review: Marion Cotillard Reaches for Heaven
Joan of Arc (1412-1431), the peasant girl who led the French army against the British during the 100 ...
September 20, 2015
BY
Barry Bassis
Jonas Kaufmann on CD and DVD
Jonas Kaufmann has certainly won the genetic sweepstakes. He has a unique tenor voice, powerful with a baritonal ...
March 5, 2013
BY
Barry Bassis
Opera Review: Joyce DiDonato Rules the Stage as Maria Stuarda
Donizetti’s 1834 opera, based on Schiller’s play “Mary Stuart,” is about the conflict between Queen Elizabeth I and ...
January 31, 2013
BY
Barry Bassis
Opera Review: ‘Turandot’ at the Met
“Turandot” was Puccini’s last opera, unfinished at his death and completed by Franco Alfano.
January 17, 2013
BY
Barry Bassis
Opera Review: Ladies Night at ‘Les Troyens’ at the Met
While men may be the warriors in the epic opera, women clearly dominate the Met's performance of Hector ...
December 24, 2012
BY
Barry Bassis
Opera Review: Un Ballo in Maschera
Verdi’s librettist Antonio Somma based his script on an actual assassination at a masked ball.
November 30, 2012
BY
Barry Bassis
Opera Review: ‘La Clemenza di Tito’
Regicide seems the hot topic at the Metropolitan Opera this season.
November 27, 2012
BY
Barry Bassis
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